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Acousticsamples VHorns Trombone
Acousticsamples VHorns Trombone
The VHorns - Trombone can be purchased alone and is part of the VHorns Brass Section bundle. You can find more information, demos and videos on the Vhorns Brass Section page
SAMPLING MEETS MODELING, AGAIN
10 years in the making, our saxophones and brass instruments have enjoyed huge success since their release last year, and they continue to dazzle users and listeners around the world today. Thanks to our work on a revolutionary hybrid technology (which we call H.A.T.), we were able to blend the authentic recorded sound of world-class instrumentalists with state-of-the-art modeling techniques, giving users unparalleled playability and impeccable sounds which are indistinguishable from the real thing.
This is VSeries - the next generation of sampling.
We’re confident in saying that these VHorns are not only the most realistic and playable instruments of their kind, but they’re among the most realistic virtual instruments ever made. Have a listen below to VHorns instruments pitted up against their real-life counterparts - can you hear a difference between our instruments and the live player?
The H.A.T.
Thanks to our proprietary H.A.T. (Harmonic Alignment Technology), VHorns is not just another heavily multi-sampled instrument - you can play articulations exactly like a live player would, with just a mod wheel to control air flow (or even just by drawing in automation).
There are no elaborate keyswitches involved to play staccatos, marcatos, legatos or double tongues - you simply load up the instrument in your DAW and play. Vibrato can even be automated.
Authentic Vibrato
We carefully measured the different parameters that change when a brass player uses vibrato and we combined everything into a highly realistic and customizable vibrato for VHorns.
There are multiple ways to control the vibrato: automatic, automatic depending on time, and manually.
Legato Transitions
Fast legato transitions are often the main give away that an instrument is virtual rather than real, so we spent a considerable amount of time and effort carefully extracting every tiny detail of several recorded live transitions to make ours indistinguishable from a real performance.
These transitions range from lightning fast note changes to extremely slow bends, with and without extra attack. We covered everything - and you have complete control.
The legatos behaviour can be adjusted and even randomized for more life-like performances.
Multi Microphone Recording
Recording a brass instrument can be done in various ways and at different positions. We used 4 different microphone positions so that you can get the exact sound you want, as if you had chosen the microphone placement yourself.
This can produce even better results when using the "virtual space”, detailed below.
You can apply reverb and EQ to mix it completely to your taste.
Virtual Space
The virtual space perfectly replicates a real recording of an ensemble, using convolution. When you record a big band, you usually place a pair of microphones in front of the musicians and they naturally take position in the stereo field depending on where they are in the room.
The Virtual Space does exactly the same thing; you can place the musician wherever you like.
When using this with multiple tracks, you immediately have the feeling of being in front of a real horns section.
Mutes
No Big Band horn section would be complete without mutes - they are an integral part of the sound. VHorns offers a variety of mutes on all 3 instruments: Plunger, Straight, Cup and Bucket.
Simply select the mute you want in the top right corner of the instrument’s interface and start playing.
Advanced Editing
There is an endless number of ways to play a brass instrument, and we took the time to talk to world-class players about the different variations they incorporate into their playing on a regular basis. Based on these discussions, we’re very proud to present the first ‘Advanced Editing’ tab in our VSeries - giving you near-infinite control over these instruments.
Keyboard, Breath Controller or Wind Controller
VHorns can be played using a keyboard by selecting the notes on the keyboard and controlling the air flow with a MIDI controller like the modulation wheel or a breath controller.
You can also use a wind controller like an EWI, an Aerophone a Sylphyo or any other brand, in which case you need to use the appropriate controller menu in the MIDI section.
Protection Type
Windows Requirements
- Host application compatible with:
- AAX Native plugins
- RTAS plugins
- VST plugins
- This product requires the UVI Workstation, please download the latest version of it if you haven't already installed it. It works as Standalone, VST, AAX, or RTAS on windows in 64bits only
- Core duo or faster
- 2 GB of RAM
- Windows 8 or higher
- Hard Drive: when using Streaming, faster drive will allow more voices to play, SSDs are the best choice (Solid State Drives).
Mac Requirements
- Host application compatible with:
- AAX Native plugins
- Audio-Unit plugins
- RTAS plugins
- VST plugins
- This product requires the UVI Workstation, please download the latest version of it if you haven't already installed it. It works as Standalone, Audio Unit, VST, and AAX on Mac in 64bits only
- MacIntel processors
- 2 GB of RAM
- MAC OS X 10.9 or higher
- Hard Drive: when using Streaming, faster drive will allow more voices to play